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Working in 3D can shorten the development cycle of products dramatically. And digital-only fashion could sidestep the industry's legacy of overproduction. But does digital working automatically equate to sustainable working? And is digital-only fashion creating a false perception of what comprehensive DPC should really mean? Much has been said about 3D or digital fashion and how beneficial it could be for fashion’s sustainability profile. This article, however, presents some

What happens when the current workforce does not have the right skill set to perform in a system that is changing faster than anyone could have imagined? What if the need and demand for experience and expertise are greater than supply? This is the current state of the fashion industry. Driven by transformative technologies, as we inch toward creating a better and more sustainable ecosystem for fashion, one colossal piece of the puzzle remains: talent. How do we, as an industr

Young designers today have an unprecedented opportunity to early adopt digital technology in their creative workflow, one that could put them ahead of competitors still relying on outdated processes. Major fashion businesses continue to operate on decades-old legacy systems to bring products to market. Supply chains remain heavily flawed, with archaic technology that no longer supports the economic and environmental needs of today. Using digital tools is a more efficient and

Some four years ago, I came across geist.xyz, a fashion project by zeitgeisted showcasing simulated algorithmic synthetic textiles. I had been working with textiles for many years, yet seeing them move in that ghostly manner was a strangely new experience that I could not shake off. It was the beginning of my interest and research into using technology and a digital approach to textiles and fashion - to design and make smartly. Fast forward to the present. In my first blog p